btaislamic.blogg.se - Vi labs ravenscroft 275 and cfx concert grand

Published on Nocturne in C-sharp minor, Op. Published on A simple melody to James Horner

Genre Classical Contains tracks Promises by Sam Sorensen - R275 Player & Side mics This instrument has been deeply sampled resulting in a piano VI of nearly 17,000 samples in a mere 6 GB library. The signature Ravenscroft tone has the warmth and purity of the fine European pianos, the harmonic complexity of the older great American pianos and the clarity and articulation of the great Asian pianos. Ravenscroft 275 is available now (Affiliate Link) at a reduced price directly from VSTBuzz.The Ravenscroft 275 is an amazingly versatile 9' concert grand piano, and it's now available as a virtual instrument from VI Labs. “Ravenscroft 275” comes with its own sample player, the UVI Workstation 3 (requires v3.0.0 or later). Great for classical and for the unique perspective of the room sound and work great blended with any other mics. ROOM – A mix of mics away from the piano that captures the complete instrument along with the room characteristics.4 microphone placements are available for your own tweaking. This piano sounds quite nice overall with a wide variety of styles. This VST is 100 sampled and it uses no modeling or synthesis. Side mics are also fully mono-capable due to the nature of the mid-side. Ravenscroft was creating using almost 17,000 samples of the model 275 titanium concert grand piano. Great for jazz and classical and blend well with other mics to add more room or detail. SIDE – A mid-side vintage U87 set up right outside the rim that captures a balance of warmth and detail with a more focused image.

More distant than Close mics, they’re great for classical and player’s perspective while also mixing well with other mics.

PLAYER – A stereo pair of mics that capture the sound heard sitting at the keys and pick up more of the hammer attack.

Great for pop/modern playing and hold up well in any mix.

CLOSE – A mix of mics inside the piano placed over the strings and hammers that capture a punchy detailed tone with a big stereo image.

The microphone selection and setups were chosen for their variety of use, the character of the piano VI Labs wanted to capture as well as how they compliment one another when mixing. Adjust the mic’s volume with the slider and shut the mic off with its power switch. Loading microphones is quick and easy while memory usage remains very reasonable. The Main control panel features the Mic selection and mixing section center stage. At VI Labs they believe that some instruments truly can inspire and take your creativity to new levels.